Wednesday, December 11, 2019

Halloween Jiangshi Night Prologue Part 1

Things start off with some pumpkids yelling Happy Halloween and doing the trick or treat spiel. Narration then says they’re running through a shopping district in Asakusa. It also starts describing Taito Ward as a place filled with shrines and Buddhist temples before things changed. As it is the oldest part of the city it says it’s still heavily colored by the people who used to live in Tokyo.

Narration then starts discussing faith and compares it as a sort of lighthouse for the people. It illuminates the way the world is, shines as a way to confirm how things are, and guides the way one should take. It decides which way is up and which way is down, which way is in front and which way is behind. Something that can bring that about can be like the fear and respect for a higher being that rules over all creation. Alternatively, it can be the pity and grief for that being’s opposite.

In time, faith is used to show ideals that exceed and are farther away than anything now. From another standpoint it can be used to see even worse realities and to verify your own position. But in any case, it exists because people use it as they need it as a guidepost. Even if Tokyo were to change its state for example, layered with multiple faiths, it will probably continue to exist. And one such guide is in a certain school.

Narration then focuses on Umamichi Academy, describing it as a powerful looking school surrounded by historic shrines and temples. But perhaps it *was* would be more accurate. As camera tunes in at its front gate as some crow flaps off, there is a notably different atmosphere surrounding it.

As the camera focuses on the sign with the school’s name it describes the school with some expressions. Unparalleled in a fight, far above the pack. Vainglorious, in heaven and earth. The name of the school is one the students of Tokyo hesitate to say, a place known as a gangster school. And for whatever reason, it’s only during Halloween that the school shows another side of itself.

As the background changes to add in a bunch of decorations, narration talks about how the school turns to a festive Halloween mood, again for unknown reasons. Despite that no one goes in; they just hang back at a distance. With all the ostentation the school just ends up looking like some terrifying art piece.

Scene shifts to its roof, where there is a large, large manly man who looks like he was born to lead people. And next to him talking to his back is a kouhai looking beastman discussing the state of affairs and apologizing for letting out a literary expression. But anyways since the school opened up to the public for the event they’ve only had around 20 people come in.

Li Chou says they’ve tried requesting a collaboration with Daikanyama to take advantage of their popularity, but what happened is that even less people turned up at the school. Maria has given Umamichi more advertising though at least. Sanat Kumara barely acknowledges that.

Li Chou continues on and says he did think that trying to make use of a popular event to help the school’s reputation would be tough, so he tried asking for help from local tourism businesses, temple line shopping streets, and the shopping district in getting into the holiday. To differentiate it from Daikanyama it was Li Chou’s idea to add more Chinese style imagery from Hourai. He then asks what Sanat Kumara thinks.

Sanat Kumara gives another laconic reply, which makes Li wonder if he thinks it’s out of synch with Umamichi’s usual image. He wonders if people around like more guady and flashy styles, which is opposite of what Shibuya goes for. Sanat Kumara goes “I see” for the third time running, at which point Li Chou decides to ask if he was just back channeling. Sanat gets caught at it as he goes for a fourth time before tuning into the conversation.

Li is upset by the whole thing as he accuses Sanat Kumara of not listening. Sanat Kumara turns around to apologize and says he didn’t, only to switch tacks and says he wasn’t listening to all his complaints. Li’s so surprised by this that he cocks his head while Sanat starts going into some sports movie mentor speech trying to fire him up, grabbing him by the shoulders and staring him in the eyes.

According to Li Chou’s thoughts, zealous is Sanat Kumara’s default state of being which scares him. Sanat tries making a point about the reason why Li was made executive head of Umamichi’s culture fest, but Li can’t bring himself to say it’s because it was dumped onto him, just like almost all of the student council work.

Sanat Kumara proclaims that it’s because Li’s eyes naturally say he can do it, that he can do more and that he’s still hasn’t shown his true colors. Li thinks otherwise but also thinks it’s not entirely wrong, which scares him. He looks away for a second before returning with a serious look in his eyes and agreeing with him.

Sanat Kumara declares that Li Chou totally isn’t the kind of man to falter in the face of adversity and that’s why he got the festival executive role. Li freaks out about the pressure and compares it to being surrounded by enemies. Sanat asks if he came to get a push from him, in which case he should go and kick ass.
Li: EXcuse???
Sanat: If you are not a Man™ who’d stop here then all you have left to do is to take the path you think is correct and MAKE IT YOUR BITCH!!!

This seems to actually work on Li Chou as he says he’ll do it and says he has a plan for the evening festival after Daikanyama’s daytime festival is done to turn the situation around. Sanat Kumara then asks Li Chou about what he’s fighting, which Li is confused about. He drops the point and tells him to go full speed ahead to that burning red sunset of youth.

Li can’t help but point out that it’s nowhere near sunset, but Sanat shouts about how he should be able to see it with his mind. Li of course is doubtful, but this somehow works. Sanat Kumara describes it as Li’s passion, the burning flame of his adolescence! They shout each other’s name and have a Man Hug.

After they let go Li Chou boasts how he’s always steadfast and a great authority. Inconveniences can talk to the hand and take his edgelord greetings. He is a lonesome delinquent that don’t need no lame friends! No one’s seen anything from him yet, his patience will win out in the end~! His failure from his old world? Psh, he’s ready for round two!

While Li Chou’s ranting and puffing up his chest, Sanat Kumara is off to the side watching him and smiling. Narration talks about how nice the sky is today and how some fireworks herald the beginning of the festivities. As the laments about summer’s end comes, so too does the excitement for autumn’s arrival draws near along with the important events for greeting the coming winter.

Title card pops up, and the prologue is titled Raise the Curtains! Hard Luck Party Night.

Camera then tunes in over at Daikanyama, and the dark angel mob makes an announcement to all the party goers that they’re now restricting admission. Handouts of candy and such will be happening shortly and he reassures people that there’s enough to go around. If you get out of line you might lose your spot though, so please be careful. If anyone has questions they can ask the nearest angel.

As the angel finishes his speech, Managarm walks over and talks about how many people there are and that there’s just enough candy to hand out. The angel says he’s getting reports that the other angels have their hands full keeping the lines in order, though thankfully it doesn’t seem like anything will happen.

Managarm says that they do have an encore of the previous year’s play and Gabriel’s concert happening. He laughs saying that if there weren’t this many people around it’d be weird. The dark angel talks about there being an evening festival party at another school and asks if it’ll be okay.

Managarm has heard about the thing with Umamichi, and Maria walks over saying she brought over extra stuff that Chouji made for the handouts. Managarm congratulates her on her work and asks if it’d been tough with so many people. Maria answers that it is hard, but it’s worth doing if everyone is enjoying themselves. The concert and play are moving along as planned, and Maria says she also will be helping with the night festival.

Managarm asks if it’s really okay to be doing so given Umamichi’s reputation. There’s also rumors about them trying to take advantage of Daikanyama’s popularity. Maria says it’s fine and says their planning committee is plenty motivated, so she feels it should turn out great. She’s looking forward to it too for that matter.

Managarm decides that if she’s okay with it then so can he. The dark angel reports that he’s gone to meet with you guys and says the gang told him you’re already at Umamichi. Maria is mildly surprised and wonders if you’re having fun at the moment. For now though she says everyone should do their best so they can proudly pass things over to Umamichi.

Narration picks up to talk about how you went into the opposite direction from Daikanyama’s festival and tunes the camera in at Umamichi’s front gate where you ended up after following a map. You comment on reaching it and its decor, saying you thought a temple had decorated for Halloween. No one else seems to be around, but a dust cloud kicks up as a voice calls out to you.

Hanuman runs over to greet you and lays it on thick with stereotypical ninja speak, and you greet him back. Hanuman then talks about how novel and sort of embarrassing it is to show you around His School. It’s his only chance to show you his school’s culture festival though, so he’ll be sure to escort you. You can talk about how novel it is to see him in uniform, say you always thought he was a Shinjuku student, or say he looks cute in a uniform.

Going B, Hanuman realizes he’s never mentioned it before and tells you he’s a middle schooler at Umamichi. He does realize he spends a lot of time at Shinjuku and weakly claims he studies like he’s supposed to. But in any case he’s happy you came. Everyone said they’d be going to Daikanyama’s festival so he thought no one would be able to come over to here. You can say you wanted to see his school, say everyone will be coming later, or say you overslept.

Going A, Hanuman says he’s ready to cry happy tears over that. He heard everyone will be coming by tonight so he’s super excited. But in any case he urges you to come in so he can start the tour, and you take him up on the offer.

As you step through the gate you comment on how authentic things look and how it feels like it’s a festival from another world. Hanuman says you’ve got discerning eyes to have noticed and says that was the goal of the exec committee. The decorating might have gone a bit overboard though. You look around and notice stalls have been set up too, but no one looks to be around whether they be visitors or students.

You comment on the lack of people, so Hanuman admits that most of the students are truants. Everyone’s probably skipped out, frankly. They all like festivals and the sort, but since no one really comes to visit they figure they may as well wander off themselves. Hanuman also brings up that he was planning as dressing up as Wukong, but everyone leaving depressed him to the point he didn’t go through with it.

Since you’re here though Hanuman says he’s happy about that again. He’s also sure his friend in the committee will be too. That said he does feel like there’s even less people around than last time. Around that time your phone rings, and it’s a call from Shirou.

Shirou yells into the phone asking if you can hear him since it’s loud where he is. He also asks if you’ve met up with Hanuman and that he’s finally been let in after waiting in line all morning. He plans on coming over after he sees Maria, then stops for a second to apologize for stepping on someone’s tail.

But back to the phone call, Shirou says it’ll probably be a while. He got separated from Ryouta and the others in the meantime. For now though he asks you to pass on his apologies before he has to abruptly end the call. Hanuman hopes Shirou will be alright. You compare the noise level with an amusement park, comment that popularity may be its own problem, or comment on the extremes between here and there.

Hanuman shrugs it off and says that since you’re here, he’s sure everyone else will be along later. He then gets the idea to introduce you to one of his kouhai, who he describes as kind of extreme but fun. They’re also supposed to be greeting people by the gate so they should be close by.

Hanuman looks but doesn’t see then, so he wonders if they went to use the restroom. At that point engine sounds rev up as another dust cloud kicks up. A cheerfully bright and strangely murderous voice calls out as someone appears, and an androgynous Overly Lively Student turns up talking about how their Stronger Than Me Sensor picked up on something.

You are taken aback by this arrival and can express huge shock over a gakuran skirt. This new student (who uses ‘ore’ by the way) is laughing and making engine noises with their mouth as they say no one can escape them as they zip around at top speed. Hanuman notices they’ve gotten into one of their moods and tells Nezha to stop already. Nezha takes note and does an emergency stop.

Nezha then says they won’t come to a standstill in time and leaves whatever happens to Hanuman, who isn’t happy to hear this. Nezha crashes into Hanuman and seems relatively unconcerned, more or less sure that Hanuman can walk this off. Hanuman turns out to have dodged the crash as he lands back down from his jump. Nezha laughs it off while Hanuman notes with some sadness that they don’t seem repentant about this.

Narration points out that Nezha is laughing things off as if Hanuman were talking about someone else. They then ask why he stopped them. It’s a special day today so they have to greet (re: ambush) the really strong people right. Hanuman scolds them saying they shouldn’t do it like that and calls them a battle maniac.

Nezha laughs some more talking about how they’re the strongest and that they want other people to know. Just don’t mind the fact that there’s still plenty of people around they haven’t conclusively settled things with yet, tee hee.

Nezha finally takes a look at you and sees your uniform, which they interpret to mean that you’ve come to raid the place. They’ve heard there’s lots of strong people at Shinjuku too so they’re so down for a brawl. Hanuman yells for them to stop and calm down so he can explain what’s up.

Scene shifts to a hallway in the school as time skips to after that explanation where Hanuman gets around to properly introducing Nezha, his kouhai. They greet you, and you can either greet them back, comment on how there’s so many hot blooded people around, or wonder if Nezha is why no one visits. Going A, Nezha suggests beating on each other later on, somewhere in secret where Hanuman won’t stop you guys.

Hanuman says things turned out just like you thought they would. He also says there’s a lot of mischievous students at Umamichi. It’s a bit scary compared to other schools, and he feels that the reputation it has has some truth to it. That said he still feels everyone is a good person if you get to know them. You either comment on the rumors, the newness of Hanuman being a senpai, or drool over the gakuran skirt.

Going A presumably skips ahead to things where Nezha asks about your strength and how they could tell. In fact they say you’re as strong as several tens of Chinese dragons. Whenever they see any they get this urge to smash them. Hanuman tells them to stop saying dragons would be one thing, but he does understand the bit with oriental dragons.

You ask about this differentiation between different types of dragons. Nezha explains it as dragons (竜) being the strong ones who were chased out of the world while the other kind of dragons (龍) are the strong ones who rule over worlds. If they were to get into a fight with any though, there wouldn’t be much of a difference, so they don’t bother making one.

On that note Nezha invites you to play. They start talking about how wars are determined by number of people and that it’s their role as the strongest and fastest to thin things out. It’s why they want to destroy things when they see any side with too many people, which they want to do with you. As they look at you with rapt attention the artifact on their arms and legs make some high pitched noise.

Nezha pesters you for an answer, and Hanuman tries to stop them in alarm as he says you don’t look like a Chinese dragon by any stretch of the imagination. He also calls you an important playmate and threatens to not play with Nezha if they pick a fight with you. Nezha whines in response since they don’t want that to happen.

Nezha then talks about how strong Hanuman is and that they’ve never beaten him in all their battles. They then ask that if you’re his senpai, does that make you stronger than him by definition? You either say you’ve never won against him in a game, say you won’t have a reckless battle with him since he’s important to you, or brag that you don’t intend on losing to Hanuman either.

Going A, Nezha agrees and says they never won in that respect either despite how hard they’ve tried. They then decide this makes you guys rivals. In any case Hanuman is glad Nezha likes you, figuring your strength means that wouldn’t have been an issue.

Nezha asks where Hanuman is going to go and whether they can come along since greeting time is over. Hanuman tells them about showing you around, then thinks it’d be an issue to leave Nezha hanging around to try picking a fight with someone else. He asks if you’re okay with having them along. You either say yes, say he has it tough, or say things are looking rough here too.

Going A, Nezha cheers and offers to give you a piggyback ride if you can’t keep up with their speed before making more engine noises. Hanuman tells them to not go full throttle inside the building or else they’ll break the windows again. He sighs over their shortsightedness.

But anyways Hanuman says it’s a senpai’s job to look after a kouhai who seems to be in danger and talks about trying to be like That One Bancho around. And that’s where the episode half ends.

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